Whilst the original Suikoden side-story ‘Suikogaiden Volume 1’ was very much a sampler of the world, companion piece and introduction to its leading man, Volume 2 is a much more fleshed out visual novel experience that delves deeper into the player character’s personal story and manages to tie in both elements of Suikoden II and III in a manner that bridges both games beautifully.
It’s a well-known fact that there can never be too much Suikoden. Shortly after the release of ‘Suikoden II’, Konami seemed to realise that consumers felt this way too and promptly released a pair of visual novels that were set around the events of that larger game and built on plot elements that would pay dividends when ‘Suikoden III’ rolled around.
It’s a miracle that we actually managed to review Suikoden IV in time for the ‘Summer of Suikoden’ fan-led event that’s currently pulling together to celebrate the series legacy and to try and convince Konami to release the remaining games onto PlayStation Network (or perhaps reopen the series for new instalments), what with the release of the game on digital services in Europe being plagued with an error that meant that the game wouldn’t load and after being pulled from PSN a complete delete and reload of the reissued game was necessary. Luckily we were able to pull our PlayStation 2 out of retirement and boot up the original disc to get the game going instead.
The official sequel game to Record of Agarest War turns in the old engine and builds a whole new game from scratch. One that whilst claiming to be a Tactical RPG has more in common with a conventional Turn Based system.
A prequel to the original release of Agarest: Generations of War, this title strips back some of the naked ambition of its forbearer in an effort to trim that games excessive run time whilst re-using the same base engine and many of the same assets to capitalise on its popularity.
Divisive no matter the format, Agarest has seen release on PlayStation 3, Xbox 360, a PC port over steam and mobile devices and has either been hailed as wonderful or horrible depending on the player’s standpoint on its design decisions. Regardless, it stands as the first part in a trilogy of games that takes the formula first seen in ‘Phantasy Star III’ and turns it from a novel innovation into a central mechanic.
On the surface, The Huntsman looks like a shameless advertising scheme for the release of the film ‘The Huntsman: Winter’s War’ a sequel to ‘Snow White and the Huntsman’ and a dark take on the popular fairy tale. We’ve seen companies such as BioWare turn these advertising stunts into legitimately entertaining slices of RPG goodness in the past however, can Desert Owl Games manage the same?