It’s surprising that more games haven’t tried to ride the wave of interest that ‘Pokemon GO’ generated in geo-tagging games. To date there have been few serious attempts to do something new with the idea, which has remained largely unchanged since the launch of ‘Ingress’. Orna is a small, Indie team that’s taken on this challenge and for the most part they have risen to it spectacularly, adding some novel concepts that bring a lot of interest to the game. There’s precious little in the way of hand-holding too, with players effectively dropped into the world and given the onus to get on with things one turn-based battle at a time.
There are two schools of thought to Star Ocean: Integrity and Faithlessness; there are those who think it’s a triumphant example of a traditional JRPG from Square Enix and those who derive the lack of significant process for the series and shallow story. Neither viewpoint is wrong, and that’s what seems to have led to this title being something of a black sheep of the 2017 games line-up.
Produced by Level-5 as their new IP following on from the wonderful ‘Dark Chronicle’ (known as ‘Dark Cloud 2’ in America), and their last game for the aging PlayStation 2 hardware before making the switch to the next console generation, Rogue Galaxy is a strange beast that showcases the very best and at times the worst of Level-5’s unique style. Continue reading →
Phantasy Star III is often viewed as the black sheep of the series, and it’s a fair standpoint. In terms of world setting, gameplay and characterisation there’s a definite disconnect from the other titles in the series and many of the further-reaching or impactful elements are tied in retrospectively by the games successor instead of directly in the game at hand. Still, does that necessarily make it a bad game? Continue reading →
Kemco has developed a reputation for pushing out JRPGs onto mobiles as a schedule to intense that the quality of their games can suffer for it, with many feeling like drab re-treads that use the same system and assets with minimal new elements or gameplay hooks. It’s interesting to see how many of these faults can be forgiven when the game is wrapped in a ‘retro’ presentation.
Galaxy of Pen and Paper sees a return to the series by its original development team, Paradox North after briefly handing over the reins of the franchise to Paradox Interactive (who recently made the original free to play) while they made their Power Rangers tribute Tactical RPG ‘Chroma Squad’. You’ll learn that the developers liked Chroma Squad quite a lot throughout Galaxy of Pen and Paper, largely because the characters in the game keep talking about it.