The arrival of an English translation for each Legend of Heroes game is something of a wait vs reward game. On the one hand we got this title after the East had already gotten their hands on its sequel, Cold Steel IV, but the game and indeed the series as a whole is of such quality that any Legend of Heroes title getting a Western release is a thing to appreciate.
The surprisingly wonderful indie series for mobile is back with its third installment, and like its predecessors, it’s packing a whole lot of content behind its cute exterior. With Witch Spring 4 just announced, let’s take a look at Witch Spring 3 in more detail. Continue reading →
Overlong title aside, Dissidia: Opera Omnia is probably the fairest and least gated free to play RPG on the mobile market with one of the highest levels of production quality. Square Enix have has a hit and miss love affair with the mobile space and freemium titles in general for some time now, and whilst titles such as ‘Final Fantasy: Record Keepers’ and ‘Final Fantasy: Brave Exvius’ have been out longer, there’s little doubt that this is the most polished offering they’ve produced.
The mighty Dragon Quest series releases infrequently when compared to other franchises, but when a new game does appear they are usually something special within the RPG community. Dragon Quest XI comes triumphantly back to consoles on the heels of Dragon Quest X’s lack of western release on last gen systems and after the successful handheld entry that was Dragon Quest IX on Nintendo DS. Having missed out on playing X, the new game can’t help but make a solid impression as the west’s first HD Dragon Quest offering.
It’s surprising that more games haven’t tried to ride the wave of interest that ‘Pokemon GO’ generated in geo-tagging games. To date there have been few serious attempts to do something new with the idea, which has remained largely unchanged since the launch of ‘Ingress’. Orna is a small, Indie team that’s taken on this challenge and for the most part they have risen to it spectacularly, adding some novel concepts that bring a lot of interest to the game. There’s precious little in the way of hand-holding too, with players effectively dropped into the world and given the onus to get on with things one turn-based battle at a time.
There are two schools of thought to Star Ocean: Integrity and Faithlessness; there are those who think it’s a triumphant example of a traditional JRPG from Square Enix and those who derive the lack of significant process for the series and shallow story. Neither viewpoint is wrong, and that’s what seems to have led to this title being something of a black sheep of the 2017 games line-up.
Produced by Level-5 as their new IP following on from the wonderful ‘Dark Chronicle’ (known as ‘Dark Cloud 2’ in America), and their last game for the aging PlayStation 2 hardware before making the switch to the next console generation, Rogue Galaxy is a strange beast that showcases the very best and at times the worst of Level-5’s unique style. Continue reading →
Phantasy Star III is often viewed as the black sheep of the series, and it’s a fair standpoint. In terms of world setting, gameplay and characterisation there’s a definite disconnect from the other titles in the series and many of the further-reaching or impactful elements are tied in retrospectively by the games successor instead of directly in the game at hand. Still, does that necessarily make it a bad game? Continue reading →